Jerry T. Okimoto (1924 – 1998) was a Japanese-American painter and sculptor who was born in Waianae, Hawaii. He is best known for his minimalist works consisting of several solid colored, geometrically shaped pieces of stretched canvas fitted together to form a single work. In some of these works, the individual stretched canvases are moveable and are intended to be rearranged (such as Mobile Painting #5). Since many of these works are essentially two-dimensional, they challenge the distinction between painting and sculpture. He also created non-moveable minimalist sculptures (such as laminated white pine and plywood sculpture in the Hawaii State Art Museum). Along with Satoru Abe, Bumpei Akaji, Edmund Chung, Tetsuo Ochikubo, James Park, and Tadashi Sato, Okimoto was a member of the Metcalf Chateau, a group of seven Asian-American artists with ties to Honolulu.[1]
The Hawaii State Art Museum, the Honolulu Academy of Arts, the Michelson Museum of Art (Marshall, Texas), the University of Michigan Museum of Art (Ann Arbor, Michigan), and the Whitney Museum of American Art (New York City) are among the public collections holding work by Jerry Okimoto. Jerry Okimoto died in 1998.